As the dream ends, Tsukuru awakens as he is having an orgasm and discovers that Haida is there with him. Just like youd set about repairing a defect in a station.. His friends were correct to assume that Tsukuru was an independent survivor. I think it pushed me into a darker headspace and it wasnt very fun to read. Even the other male characters kinda sent you somewhere else. He does not say anything to her. Manyreviewers foundColorless Tsukuru Tazakilacking in imagination and clarity compared to Murakamis previous works. I took away the message that even if Tsukuru had resolved his past trauma and found the answer to what led his friends to cut him off, which is not because he wasn't worth anything to them, his fears and the painful experience were still there. Most American people? What PHILOSOPHERS understand for intelligence? While on this quest for the truth Tsukuru falls in love with Sara. The old man in Finland helped Tsukuru find his way to Eri's cabin. Many of Murakami's novels can be seen as traumatic narratives, in which we are offered fragments that are difficult to put together. Tsukuru discovers that Kuro lives in Finland, her husbands home country. This novel is centered on 36-year-old Tsukuru Tazaki, who seeks closure with the four friends who unexpectedly cut him off 16 years prior. Some explanation, but no attempt to, hmm, bring characters together, nothing we think of as Western themes, redemption, for instance, or forgiveness, or the rewards to be won by going against the norm. By clicking Post Your Answer, you agree to our terms of service, privacy policy and cookie policy. I wouldn't say that Tsukuru is a boring protagonist, I wanted to like him and understand him just as much as did Kafka and Toru from Norwegian Wood, but there was always this distance between me and his inner introspections or even in the way he absorbed the physical minutiae around him that just wouldn't let me connect with him at a deeper level. Stack Exchange network consists of 181 Q&A communities including Stack Overflow, the largest, most trusted online community for developers to learn, share their knowledge, and build their careers. [Tsukuru dies at the end I think. What significance does Tsukurus erotic dream have if we are lead to believe it was all fabricated by Yuzu herself? Each of his friends seemed to him to be unique and talented in their own way, but he considered himself dull, empty, and uninteresting. He becomes suicidal and aimless, and the pain of his rejection lingers well into his adulthood. Additionally, the novel examines mental health issues surrounding trauma, including eating disorders, depression, and emotional distress. (I'm going to get semi-graphic here, so warning>>>Tsukuru does dream that Haida has taken Tsukuru's "life blood" in a sexual act, which I believe actually happened and wasn't a dream.). Most outstanding is his unconventional take on plot. Ao also mentions that Shiro was murdered about six years prior. In his book Colorless Tsukuru Tazaki and His Years of Pilgrimage famed Japanese author Haruki Murakami straddles a myriad of genres of fiction, blending his traditional magical realism with elements of crime noir. The older man Tsukuru saw with Sara was leading her away to another place. "Colorless Tsukuru Tazaki and His Years of Pilgrimage," the most recent novel from Haruki Murakami, "The Interestings," by Meg Wolitzer and Teju Cole's debut novel, "Open City," all . So reading the novel was definitely a familiar place to be. It's more straightforward than Murakami's most recent works of fiction, especially the sprawling 1Q84. This novel is centered on 36-year-old Tsukuru Tazaki, who seeks closure with the four friends who unexpectedly cut him off 16 years prior. What must have happened? It is a Bildungsroman, or a coming-of-age novel, about a Japanese man named Tsukuru. Life, daily life, doesn't tie itself up in neat endings, and expecting that it should leads to all sorts of unhappiness. He is at the same time confronted with his own basic blindness regarding the self-image, feelings and motives of his peers during their friendship and realizes that each had built an edifice or an ideal of each other and the group at large which none of them could really live up to. In the novel Colorless Tsukuru Tazaki and His Years of Pilgrimage, Tsukuru is lucky enough to be part of a group of five harmonious friends, and he basks in their affection and acceptance. Tsukuru Tazaki is a builder. Ao says that nobody really believed this, but they felt obligated to take Shiros side. Subreddit dedicated to the works of author Haruki Murakami. By rejecting non-essential cookies, Reddit may still use certain cookies to ensure the proper functionality of our platform. Through color, music, water, father/son relationships, and the train stations Tsukuru loves, Murakami explores the ways that we can and can't know ourselves and each other. New Home Construction Electrical Schematic. Both serve as vessels, of sin, tosuffer in place of other people. He thinks he will always be alone, because he is empty, colorless. Weaving complicated mysteries into the seemingly ordinary is undoubtedly Murakamis strong suit, and indeed Colorless Tsukuru Tazaki and His Years of Pilgrimage is yet another example of this. This book just felt utterly depressing to me. He offers the chance to color Tsukurus world, and indeed expands it, but does not try to kill Tsukuru. Even Eri's husband didnt stay in one place, he left to go to town. With Haida playing a crucial role in Tsukurus erotic dream, it would make sense to continue his storyline, but like Yuzu, his outcome is unfortunately not revealed. For me, the writing lacked that sense of ease that's associated with his prose, and it felt stilted with the first few chapters struggling with the back and forth between his high school and current life. Perhaps those are simply the places that can be reached directly via Shinjuku station. It is hard to sympathize with a character like Tsukuru, who seems to have arisen out of a writing prompt that challenges the writer to create someone with no personality at all. Thus, in more ways that one,Haida is the embodiment of the death token. When Tsukuru swims he is not just exercising, he is doing his own sort of mediation. This book felt like he was having external trouble with editors or something and said fuck it. By the end it was almost funny in a sad way. Colorless Tsukuru met his friends as high school freshmen, when the five of them volunteered at a summer tutoring program. https://www.reddit.com/r/murakami/comments/2dte48/spoilers_ending_discussion_colorless_tsukuru/ The forward momentum of the first 150 pages of the novel is driven by the mystery of why Tsukuru got dumped by his friends. Upon meeting with Eri, the last of the three living friends, at her new Finland residence, he learns that Yuzu had a miscarriage and developed anorexia as a means of preventing all future pregnancies. But he chooses not to go. To learn more, see our tips on writing great answers. Haida becomes the vessel for Tsukurus struggle by swallowing Tsukurus semen and then vanishing to his death. The Millions' future depends on your support. Content Warning: The novel portrays graphic sexual imagery, and rape is discussed explicitly. Press J to jump to the feed. Also, why did Haida just pack up and leave? To some extent, this greatly benefits the novel. Without it the novel would feel like a small, personal story about a young man looking for closure. In fact, Tsukuru never even seeks to contact Haida. There's a writer, essayist, Janet Winterson, I think, who in her book "Art Objects" says that we have become spoiled in our approach to art. As a result, the redemption he finds on his quest does not ring particularly true either. All his books have something uniquely Murakami just as you might be able to tell something is a movie by Tarantino. Colorless Tsukuru Tazaki and His Years of Pilgrimage is a 2014 novel by renowned Japanese novelist Haruki Murakami. They are, instead, linked deeply through their wounds. He is forced to think about his own sexuality. The music calms him, and again when he is worried about his chance to have a relationship with Sara, he listens to this song until he feels calm enough to sleep. Abandoned by his group of close friends without any apparent reason, Tsukuru is haunted by the feeling of loneliness and unreasonable guilt which drives him to yearn for death. After his friends abandoned him, he essentially had trust issues: He could never fully invest himself in any relationship; there was always some kind of wall or weight that was holding him back. Like me, his favorite thing is mulling over abstract ideas, one character says at Tsukuru, and we get the impression that that may be the authors inclination as well. Tsukuru Tazaki is a 36-year-old man whose defining features are his love of train stations and that his childhood friends collectively decided to end their friendship with him during his second year at university. He is the hero, our eyes and ears, but he is mostly hidden from the reader. The dream stirred an intense jealousy in Tsukuru, which was a departure from his normal introverted and dispassionate temperament. He quickly learns it is because Shiro, mainly referred to as Yuzu, claimed he had raped her in their sophomore year of college. The novel feels. The most pressing loose ends were: Who raped Shiro and who killed her? Shiro loses to the demons, Haida runs from them, and Tsukuru confronts them. She played a song by Franz Litzt called 'Le mal du pays.' The sixth finger is unnecessary, and indeed, Haidas disappearance was not the same to Tsukuru as that of his other friends. Murakami paints him as introverted and extremely observant, yet more importantly, Tsukuru paints himself as lackluster or colorless, as opposed to his exuberant and colorful friends. Maybe that's what Tsukuru learned? The best answers are voted up and rise to the top, Not the answer you're looking for? Because of this, I was under the impression that Haida was equal to Tsukurus four friends, and deserved the same reconciliation sequence. The best explanation Murakamis shamanic wizardry can give for this is that it was a product of hysteric confusion.. [] To put it another way, he deserved to be punished. While this conclusion is not entirely impossible, it comes off as almost lazy and a bit insensitive, particularly because of Tsukurus self-victimization. Haida was the one who actually had the "death token", and Tsukuru's non-color was the key that Haida needed to see so that he (Haida) could hand the token to Tsukuru. There is a lot more nuance in the story than that of course, but that's my takeaway in very broad strokes. But in the end, I felt like there was no payoff, not for Tsukuru or me, the reader. Around the same time as the alleged rape, Tsukuru had had a violent and erotic dream involving the two girls, Yuzu and Eri, and a new college friend, Fumiaki Haida. By chance all of their names contained a colour. For instance, and I'm not telling anyone anything they don't know, but the samurai were not just a warrior class, they were the ruling, and the educated, class. The first is more obvious, involving long conversations between Tsukuru and Haida, a close friend at Tokyo University and a philosophy enthusiast who, unlike Tsukuru, loves to deconstruct things. I suppose the ending indicates that seeing Sara on Wednesday Tsukuru will know the truth of all questions behind the plot: who raped Shiro, who killed her, who is Sara, in what reason she approached to Tsukuru and had guided him to the "pilgrimage", and who is the man walking with Sara hand in hand. Colorless Tsukuru is a story exploring love, lust and relationships. Years later, 36-year-old Tsukuru is a respected member of society who works as a train station engineer. Idk, that's what I took from it anyway. Honestly even if it is a weaker work, it kept my attention at a time when I was struggling to do anything but study (out of necessity). I look at one page of his writing, analyzing authorial choices. Tsukuru finally emerges from his depression, as a result of a particularly intense dream about an unnamed woman. You have to consider women in Tokyo categorize men and can move on faster than the Nozomi Shinkansen. When considered symbolically, the importance of What about Haida? disappears. What information do I need to ensure I kill the same process, not one spawned much later with the same PID? It was all new to me at the time I read it. Remember, Tsukuru owns his own apartment and he's a well-education engineer in his late thirties, he can be a little picky. ", But "colorless" has a more literal meaning here, too. Luckily, posting on The Millions has a salutary effect on me, and also, I just finished a book, so I need to write about it. Learn more about Stack Overflow the company, and our products. That doesn't mean they don't care, what it means is they can adapt and move forward. The modern novel seems to have always been about the self - so often characters are drawn from life, episodes derive from anecdotes, the narrator from the author himself. I had a similar circle of very close friends during my high school years and had experienced a similar sort of dissolution later, although neither in the case of the dynamics of our "circle" or its breakup were the circumstances anywhere near as extreme as in this book. Also anyone who would like a middle-aged version ofCatcher in the Rye. Why introduce the dream at all? I mean, I don't have to approach it that way, I suppose I could say "What does this say to me? All we are given is the cryptic image of a dark shadow of violence, an evil spirit, before the curtains close on her mystery for good. Murakami ultimately leaves it to us to ascribe meaning to Tsukuru Tazakis life, as well as the greater reality surrounding him, and navigate the fine line between what is and what isnt. This tale haunts the book. Tsukuru admits that Something in Haidas brain surged forward, outpacing Tsukuru, but what sort of thing that something was, he couldnt say (122). Colorless Tsukuru, perhaps as a reaction to the excesses of IQ84, falls into the first category, its relatively straightforward narrative centring on an archetypal Murakami character: a lonely . So, if someone's got issues and a girl gives him a chance to sort them out then he's a catch. Tsukuru is a 36-year-old engineer who designs train stations. He does not often choose to go anywhere, however, and the first time he travels out of the country at all it is arranged by Sara, looking for the answers of his friends' rejection that Sara tells him to seek. Although Haida was not physically wounded, both Shiro and Haida (and Sara), had sex with Tsukuru, which Tsukuru may consider damaging. (LogOut/ I read it in a day and never felt bored, but I agree with a lot of what you said. Making statements based on opinion; back them up with references or personal experience. The friendships we form in high school have a lasting impact on us. rev2023.4.17.43393. Colorless Tsukuru Tazaki and His Years of Pilgrimage is an easily engaging, large-print, small-page entry into Murakami's ether. It was nice to see it done so well in a novel. What I think it did well was capture a sense of isolation and loneliness. One might be quick to compare Colorless Tsukuru Tazaki and His Years of Pilgrimage to Murakamis 2004 novel, After Dark, which also incorporates supernatural dreams, yet the latter novel merely uses magic as a backdrop for metaphysical exploration. What is not? Contact Leah Chase at lachase at stanford.edu. This latest work seems more polished, cohesive, and puzzling than its most similar predecessor, Norwegian Wood. He struggles to find meaning in life, and his isolation leads him to an obsession with dying. What is truly concrete? Murakami has written acclaimed novels such as Killing Commendatore, 1Q84, The Wind-Up Bird Chronicle, and Kafka on the Shore. Then everything will be perfect.' These strengths are finally not enough to save the novel from the jarring elements that dominate its pages, however. Tsukuru craves the order and reliability of trains, and he left his hometown to become a train station engineer. Haidas feelings, assuming Haida hadsex with Tsukuru, falls in between thetwo womens. One day, without warning or explanation, he is banished from this group. Tsukuruis a vessel of his four friendsproblems, but he survives their problems more easily. The two boys were called Akamatsu, meaning 'red pine', and Oumi, 'blue sea', while the girls'. The whole "all your friends leaving with no explanation" tapped into some weird anxiety I never knew I had, too. Both are attractive young men, engineers, but also opposites. It is assumed that, as withthe threefriends he knew he would never meet again, Tsukuru will also never meet with Haida ever again. Haruki Murakami's novel "Colorless Tsukuru Tazaki and His Years of Pilgrimage" follows the life of Tsukuru Tazaki and his relationships and bonds with people he meets in his life - the group of five close-knit friends, his parents and siblings, his girlfriends over the years, and his friend in college. Unlike Kafka on the Shore (2002), arguably Murakamis most accomplished realization of his aesthetic, however, Colorless Tsukuru Tazaki and His Years of Pilgrimage is considerably flawed, even when judged within the strange and disjointed context of the authors previous work. We no longer live in a culture, here, where I live, at least, where we have roles we are expected to assume and adhere to for a lifetime. Right after this book, Murakami released that short story the strange library which was the story of the sheepman (Murakami) being constrained and being afraid to guide the young protagonist visiting the library (us). Swimming clears his mind. We (Tsukuru) needed Midorikawa (green) to make sense of the mixture. Tazaki was the only last name that did not have a color in its meaning. Everyone seemed to leave Tsukuru and nothing was certain except that he will be at a train station lol. This discussion, particularly Haidas respect for and exasperation with boundaries, sets the stage for the rest of the novel. None of his former companions so much as answers a phone call for the next 16 years. * From the good people of reddit and others who inspired this piece: Tsukuru tells her about Sara, and Kuro urges him to take action and not let Sara go. 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